Xmal Deutschland: ‘Incubus Succubus II’ Japanese 12″ EP (4AD/Nexus International, K15P-518, 1983)

Some while back, I covered the original West German release of Xmal Deutschland’s second single, ‘Incubus Succubus’read more here. Easily one of their most vital pieces, having signed to 4AD records the band saw fit to re-record it in 1983 and release a new version, this time produced by 4AD label head Ivo along with John Fryer. Released in the UK on 7″ and 12″ pressings, the version was not radically different from the first take, but even so it somehow managed to acquire a unique number to differentiate it. Something of an archetypal Xmal gothic, lupine howl, it appealed a great deal and was my initial entry into all things Xmal in the autumn of 1983. The bass-propelled, tomtom-heavy ‘Vito’ on the flip side was equally exciting – and fighting above the jagged guitars, the gothic organ tones of the Casio MT30 keyboard – small but deadly!

Xmal Deutschland: 'Incubus Succubus 2' Japanese 12 inch EP
^ Xmal Deutschland: ‘Incubus Succubus 2’ Japanese 12 inch EP

Continue reading “Xmal Deutschland: ‘Incubus Succubus II’ Japanese 12″ EP (4AD/Nexus International, K15P-518, 1983)”

Button badge goodness: Xmal Deutschland

Another helping of vintage button badge goodness to bring a dash of post-punk style to any jacket/bag badge mount of choice – this time around courtesy of blog semi-regulars, Xmal Deutschland. Spanning various eras, 4AD and beyond, these were all bought back in the day – I managed to see Xmal play live a couple of times, in support of the Stranglers and headlining when promoting the ‘Viva’ tour, and damn fine they were too.

Xmal Deutschland badge design - grey/red 'Matador' era
^ Xmal Deutschland badge design – grey/red ‘Matador’ era

Continue reading “Button badge goodness: Xmal Deutschland”

Dif Juz – ‘Who Says So?’ UK Mini-Album (Red Flame, RFM 24, 1983)

Dif Juz are one of these acts who I have a few works by, but never really got to know too much about. Being on 4AD and hailing from the early ‘80s, they pretty much had my name written on it in their appeal, but for whatever reason they never quite got the recognition they were deserving of and that lack of profile tended to hamper my following of their work. I saw them live once, in support of the Cocteau Twins, late 1984 and they were quite something on the night. Although aware of their two earlier 4AD EP releases, the one that is the subject of this post had passed me by, so despite being a 1983 release, it was the start of 1985 before I came across it.

Dif Juz - 'Who Says So?' mini-album front cover design
^ Dif Juz – ‘Who Says So?’ mini-album front cover design

Continue reading “Dif Juz – ‘Who Says So?’ UK Mini-Album (Red Flame, RFM 24, 1983)”

A Certain Ratio – ‘Waterline’ UK 12″ single (Factory, FAC 52, 1981)

What a brilliant single this was – an absolutely killer bassline, thumping and skittering around and anchoring this along with Donald Johnson’s crisp, precise drums and percussion workout. Atop was some seriously haunted horns and tape echo/electronic manipulations, with the dual vocals of the short-lived Martha Tilson bringing an ‘almost there’ presence and (presumably) Simon Topping in vocodered form. Something of a lost gem though – it hails from the same sessions as the ‘Sextet’ album, recorded late 1981 and released early 1982, but in somewhat typical Factory fashion of the time, it did not appear on that LP. Curiously, it has proved elusive in later reissues too – it can be found on 2002’s ‘Early’ CD compilation, but oddly was neglected from the ‘Old and the New’ compilation and various re-issues of ‘Sextet’.

A Certain Ratio - 'Waterline' 12 inch single, front design
^ A Certain Ratio – ‘Waterline’ 12 inch single, front design

Continue reading “A Certain Ratio – ‘Waterline’ UK 12″ single (Factory, FAC 52, 1981)”

Ultravox! – ‘ROckwrok’ West German 7″ single (Island, 11 655 AT, 1977)

Another tasty West German picture sleeve design that differed markedly from the UK issue – whether that was to John Foxx’s satisfaction is unlikely, given that the original UK issue was designed by him and showcases what are now classic John Foxx design traits in its cut-up and juxtaposed figures. But this sleeve keeps with some kind of low-tech xerox style if nothing else, in lurid red and black. The flimsy, glossy paper used for the sleeve means that tracking down mint copies is especially difficult.

Ultravox 'ROckwrok' West German 7 inch single front sleeve design
^ Ultravox ‘ROckwrok’ West German 7 inch single front sleeve design

Continue reading “Ultravox! – ‘ROckwrok’ West German 7″ single (Island, 11 655 AT, 1977)”