Skids – ‘Animation’ UK 7″ single (Virgin, VS323, 1980)

Included for no other reason than it happens to be one of my all-time favourite sleeve designs, graced with an artwork from none other than Russell Mills [http://www.russellmills.com/], who is identified with the Eno/Sylvian end of the musical spectrum more often than not, I’d say.

Skids 'Animation' front cover design
^ Skids ‘Animation’ front cover design

This ended up being the third single release from ‘Days in Europa’ – I’m sticking firmly to the original 1979 release when I say this – I know that the 1980 remix/re-release also includes ‘Masquerade’, so technically you might say it is the fourth single peeled off the album – but any Skids fan who knew the original first probably finds the 1980 version difficult to swallow, even with a tacked on single from a year before. (And, my goodness, a year was a long time indeed in the late ’70s/early ’80s – in the current era where bands take years between album releases, Skids themselves managed to release two original albums in 1979 – and they were far from the only band with that kind of work ethic.) Continue reading “Skids – ‘Animation’ UK 7″ single (Virgin, VS323, 1980)”

Propaganda – ‘(The Beta Wrap Around of) P: Machinery’ UK 7″ single (ZTT, ZTAS21, 1985)

One of my own personal favourite mixes of a track from the meisterwerk that is ‘A Secret Wish’, this second release of ‘P: Machinery’ appeared at the tail of 1985, Propaganda (in their live incarnation) having toured with their ‘Outside World’ live shows. Sadly, it fared no better with chart success than had the first release. For me, this 7″ mix had a darker feel, perhaps due to the more ominous intro, the easiest to spot change from the original version, while the end brass work out repeats to fade rather than slamming to a dead halt, another easy recognition.

Front cover/label design
^ Front cover/label design

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Drinking Electricity ‘Cruising Missiles’ UK 7″ single (Pop:Aural, POP 008, 1980)

Smash Hits magazine has a lot to answer for, let me tell you. An ostensibly mass-market, teen-focussed glossy fortnightly publication, its modern day equivalent would barely be worth a glance, filled no doubt with focus-grouped fodder dreamt up in high-security labs to a weapons-grade mass appeal, if vapid in content. But in its prime, how much oddness did the magazine help to foist upon eager young ears? I can’t imagine the modern-day equivalent of something as obscure as a Drinking Electricity scoring such prime-time coverage. Perhaps the persuasive manner of Bob Last, for it is he of the Pop:Aural label (and earlier Fast Product pedigree) that was home to this post’s musical goodies, that levered the band such a space?

The article in question is reproduced below. As you might guess, it was enough to foster my curiosity and to urge my feet of a Saturday afternoon to yonder record shop to fetch ‘Cruising Missiles’. Not because I had heard it. Noooo… Simply because… well… it all looked and sounded so damn interesting. As it happened, I could only come across ‘Cruising Missiles’, ‘Shake Some Action’ would have to wait till another time

Drinking Electricity 'Cruising Missiles' pictures sleeve design - front
^ Drinking Electricity ‘Cruising Missiles’ pictures sleeve design – front

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Specimen – ‘Batastrophe’ US Mini-Album (Sire, 1-25054, 1983)

Ahhh, the mini-album. Here in the UK these tended to be fairly few and far between, more of a custom delicacy. An act would normally have precise intent to indulge in such a format – something more than an EP (which were the more popular format), but not the full-on assault of an album. Think of something such as the wonderful ‘Chimera’ by Bill Nelson, for example. But overseas… well. These territorial releases would be (more often than not) a chance to glue together several earlier single releases, 12″ remixes or the like into a more substantial offering. The most common markets to proffer these goodies would be Japan, the US and Canada. And I’ve certainly featured a few examples in the past, such as these Japanese examples from Flying Lizards and  John Foxx and an Australian Ultravox! item.

Best of all would be the releases that brought something new to the party. Not simply content with just cobbling a few old singles together, these would include a couple of otherwise unavailable tracks, or new versions/mixes. ‘Batastrophe’ by the Specimen is just such an example. Although the band had a fair repertoire to draw on, while they lived the first time around, they released very few records – not even so much as an album. ‘Batastrophe’ is as close as it would come in their first life.

Specimen 'Batastrophe' US Mini-Album front cover design
^ Specimen ‘Batastrophe’ US Mini-Album front cover design

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Jerry Harrison – ‘The Red and The Black’ UK LP (Sire Records, SRK 3631, 1981)

1981 was a busy year for Talking Heads solo projects, following the high-profile ‘Remain in Light’ successes. David Byrne managed to bring two separate projects (one with Brian Eno of course) to light, while The Tom Tom Club scored the quirkiest of the hits. Perhaps more in the shadows, certainly in terms of sales and profile, was Jerry Harrison, who by the year end had brought out his first solo album. ‘The Red and The Black’. But while it might not have been a hit, it certainly did point towards the sound that Talking Heads would adopt by 1983’s ‘Speaking In Tongues’.

Jerry Harrison 'The Red and The Black' front cover
^ Jerry Harrison ‘The Red and The Black’ front cover
Jerry Harrison 'The Red and The Black' back cover
^ Jerry Harrison ‘The Red and The Black’ back cover

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