A non-album single from Nash The Slash’s brief period signed to the UK DinDisc label in 1981, this record brings together a few of my favourites for its one-off collaborative nature, namely Nash The Slash himself, Bill Nelson in the producers chair and Peter Saville on sleeve design work, under his ‘Dessin Controlee’ nom-de-plume.
Continue reading “Nash The Slash – ‘Novel Romance’ UK 7″ (DinDisc, DIN33, 1981)”
These two small objects of desire were 1988 era 3” CD format singles from a range of releases by Virgin that ostensibly looked to mimic original vinyl releases from back in the day. But the devil is in the detail…
First up was ‘Ghosts’ (Virgin, CDT 11, 1988) and it is the more interesting of the two releases by way of its inclusion on CD of the 3’55” single remix of ‘Ghosts’ as well as the 1981 live ‘version’ of ‘The Art Of Parties’ that was the B side of the original 1982 UK 7” and 12” singles. The live take is an interesting alternative as this was the tour that saw Steve Jansen play a Simmons electronic drum kit (as briefly mentioned on Steve’s excellent Sleepyard blog and on stereoklang.se) while the scorching lead guitar duties are from the wonderful David Rhodes on a short-lived stint as live guitarist with Japan on the 1981 ‘Visions of China’ tour, his distinctive tones more familiar from his work with Peter Gabriel, Talk Talk and Kate Bush amongst others. There is a third track this CD by way of ‘Visions Of China’ (in its familiar 3’38” album mix) – it bears no relation to the original ‘Ghosts’ single and seems an odd inclusion here. Continue reading “Side by side: 1988 Japan 3” CD singles”
It’s a particular favourite of mine, this album, what with its high-tech, high-sheen finish of meticulously crafted pop – it got a vinyl re-release last year on Rough Trade and for some reason the CD issue was delayed… and now there is a Japanese issue too with one extra track…
It was going to be just a straight re-release of the existing CD incarnation, which featured the original album tracks plus four additional bonus tracks of some of the ‘Versions’ from the contemporary single B sides. As it turns out, it is not just a straight re-issue and there are differences… and to add to that, there is this, the Japanese CD re-release which comes with an extra bonus track for Japan only. Continue reading “Scritti Politti ‘Cupid & Psyche 85’ Japanese re-issue CD [Rough Trade / Beat Records, RTRAD695CDJP, 2022]”
When looking out these CDs to photograph for this post, and looking back on previous VersionCrazy posts for XTC… I was surprised to find nothing other than a passing mention in the ‘Machines’ 1980 compilation album on Virgin! How could I have managed not to feature this wonderful band in any detail in the 14 years of the blog so far? Anyway, what was exercising me was the various versions of a later period single, from when the band’s star was much higher stateside than in their native UK – ‘King For A Day’.
Lifted from 1989’s glossy album production, ‘Oranges and Lemons’, it seemed a fairly surefire selection from the album’s tracks as a radio-pleasing drive-time number in much the same style as Tears For Fears has scored a few years earlier with ‘Everybody Wants To Rule The World’ – it has quite a resemblance to that track. What’s interesting here is that there were major differences between the UK and US releases – the American release also saw fit to procure some radically changed remixes of the song for its outing. Continue reading “Side by side: XTC ‘King For A Day’ CD singles UK/US”
A few 1981 vintage badges from Landscape… they had a short time in the glare of popularity – ushered in by association with the New Romantic / Futurist / Blitz / Scene With No Name (call it what you will) movement, with a run of singles (‘European Man’, ‘Einstein A Go-Go’ and ‘Norman Bates’ plus the parent album, ‘From The Tea Rooms Of Mars… To The Hell Holes Of Uranus’ and Richard James Burgess who seemed to be man about town and would seemingly appear here, there and everywhere at one point (such as production duties for other New Romantic scenesters Spandau Ballet and Hot Gossip, amongst others. The follow-up album, ‘Manhattan Boogie Woogie’ and subsequent singles as the slimmed down line-up of Landscape III failed to continue the success… but are worth checking out, nevertheless. A modest set of lapel-enhancing love for Landscape… enjoy nonetheless!
