Wire – ‘IBTABA’ UK ‘Chain With No Name’ limited edition postcards and print LP edition (Mute, STUMM66, 1989)

Wire’s ’80s releases on Mute records seem to have been the source of much debate on their worth, in print and amongst the Wire community, the most common complaint being the ’80s production sheen. Wire have been the subject of various biographies and the views of the members themselves have surfaced in these, often with certain levels of distance and disdain to the Mute era work evident. ‘It’s Beginning To And Back Again’ (IBTABA) is a curious release in that it appeared within a year of 1988’s ‘A Bell Is A Cup Until It is Struck’, containing five re-recordings of LP tracks and a B side of that period, the first inklings perhaps of unease with the previous album’s production. The title itself is recycled, hailing from the lyric (or text, as Graham Lewis might prefer it) for ‘German Shepherds’.

Wire 'IBTABA' LP front cover design
^ Wire ‘IBTABA’ LP front cover design

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John Foxx – ‘Science Fiction Stories’ limited edition image collection postcard set

Not content with a somewhat hyper-active work rate in recent years which has provided a plentiful series of music releases, under his own name and with numerous collaborators, John Foxx has also seen fit to make available some more esoteric releases which focus on his graphical work. Amongst these, and the subject of this blog post, is ‘Science Fiction Stories’. This was a limited edition image collection postcard set which was for sale at the Roundhouse concert in London in 2010.

John Foxx - 'Science Fiction Stories' postcard set - pack front
^ John Foxx – ‘Science Fiction Stories’ postcard set – pack front

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Skids – ‘Animation’ UK 7″ single (Virgin, VS323, 1980)

Included for no other reason than it happens to be one of my all-time favourite sleeve designs, graced with an artwork from none other than Russell Mills [http://www.russellmills.com/], who is identified with the Eno/Sylvian end of the musical spectrum more often than not, I’d say.

Skids 'Animation' front cover design
^ Skids ‘Animation’ front cover design

This ended up being the third single release from ‘Days in Europa’ – I’m sticking firmly to the original 1979 release when I say this – I know that the 1980 remix/re-release also includes ‘Masquerade’, so technically you might say it is the fourth single peeled off the album – but any Skids fan who knew the original first probably finds the 1980 version difficult to swallow, even with a tacked on single from a year before. (And, my goodness, a year was a long time indeed in the late ’70s/early ’80s – in the current era where bands take years between album releases, Skids themselves managed to release two original albums in 1979 – and they were far from the only band with that kind of work ethic.) Continue reading “Skids – ‘Animation’ UK 7″ single (Virgin, VS323, 1980)”

Xmal Deutschland: ‘Matador’ UK Limited Edition ‘Illustration Booklet’ 12″ single (Xile/Phonogram, XMAL112, 1986)

1986 saw Xmal Deutschland make the move to major label promotion, the first fruits of which were the Hugh Cornwell produced single, ‘Matador’, on 7″ and 12″. To give it a sales push, a limited edition of the 12″ came complete with an ‘Ilustration Booklet’, featuring artwork by the band’s singer, Anja Huwe, to accompany a selection of words to this single and the three tracks from the previous year’s ‘Sequenz’ EP. The images below, give some detail of the booklet’s various pages.

Front cover design of the single sleeve and illustration booklet
^ Front cover design of the single sleeve and illustration booklet

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Orchestral Manoeuvres in the Dark (OMD) – ‘History of Modern’ UK limited edition boxed set

Since my earlier post that documented the recent CD re-issue of Orchestral Manoeuvres in the Dark’s first album raised the idea of doing an unboxing of their latest opus, it seemed only fair to oblige now that I have received my copy. Being something of a Peter Saville fan as well, it is good to see OMD heading back in the direction of earlier artwork styles. It does rather feel as if the whole box set thing is a bit over the top though, I have to confess. As for the album itself, I would describe it as rather schizophrenic, with a jumble of styles – some obviously aiming to re-mint the classic ‘Architecture & Morality’ sound via the Mellotron-saturated sounds, some coming on all ‘Sugar Tax’ era pop/dance style, while the shadow of Kraftwerk continues to hang over pieces such as ‘History of Modern’ (Part II), ‘RFWK’ and ‘The Right Side’.

I wasn’t quick enough off the mark to get the limited edition free t-shirt as well, otherwise this is the contents of the UK edition of the boxed set.

So, I’ll let the pictures tell the story on this post… You can click on each image to see a 640×480 enlargement.

Boxed set (front)
^ The front of the boxed set, unopened
The sticker detailing the contents (peeled off of the shrink wrap)
^ The sticker detailing the contents (peeled off of the shrink wrap)

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