Wire – ‘Third Day’ CD EP (Pink Flag, PF1, 2000)

This small object of desire was initially available for sale from the merch stall upon the occasion of Wire’s second ‘reactivation’ (their third coming, I suppose) – a concert at the Royal Festival Hall [RFH], London on 26th February 2000. By that time, despite their absence after having reverted to the three-piece format of WIR and it having come to an end in the first few years of the ’90s, the band’s critical stock had risen, no doubt thanks to obvious Britpop admirers such as Elastica, Blur, et al, through the mid to latter half of that decade, but also along with the good work that Wire Mail Order [WMO] had been doing in curating the recorded legacy meantime. The vibe meant that selling out a venue as large as the Royal Festival Hall was possible in order to welcome back Wire on returning, once again. (Such a venue and audience was not necessarily a good thing, in my experience, but more of that later…)

Wire - 'Third Day' CD EP front cover design
^ Wire – ‘Third Day’ CD EP front cover design

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Brian Eno – ‘The Drop’ and ‘Iced World’ version craziness

A simple joy of physical format products – the ability to pinpoint precise times and places associated with them. For me, Brian Eno’s 1997 album release ‘The Drop’, (All Saints, ASCD32), always takes me back to a summer morning on the ground floor of HMV’s flagship London Store on Oxford Street, on a brief city break, where I was loaded up with a shopping list of records to look out for across the many and varied record shops of the great city. New and exotic, second-hand and scarce – the list was long. This album had only just come out and was on that list…

Brian Eno - 'The Drop' - 1997 Japanese 2 x CD edition
^ Brian Eno – ‘The Drop’ – 1997 Japanese 2 x CD edition

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Drinking Electricity ‘Shake Some Action’ UK 7″ single (Pop:Aural, POP 005, 1980)

We’ve visited Drinking Electricity once before, with their ‘Cruising Missiles’ 45, which was my introduction to the band and their work. I’d go on to buy the subsequent single releases on and off as they came out, where their own original synth pop sound would emerge. This single though was their own unique minimal synth rock’n’roll take with a cover version of the 1976 Flamin’ Groovies track, ‘Shake Some Action’. Like the band’s previous cover version of Johnny Kidd & the Pirates’ ‘Shakin’ All Over’, this was again a faster tempo, stripped down angular guitar thrashing and synth interpretation. Depending on how well you get on with late 70s/early 80s minimal synth pop and its production values versus the original, lushly produced power-pop take of the Flamin’ Groovies, this may well take a bit of getting used to. In the context of a produced-to-death, auto-tuned attention deficit get-to-the-chorus within a count of seconds not minutes of modern pop, this is beamed in from another world.

Drinking Electricity 'Shake Some Action' UK 7
^ Drinking Electricity ‘Shake Some Action’ UK 7″ front cover design

Flip it over and its a whole other galaxy of primitivism in comparison to the original – the ‘Cheapo’ demo version replaces drums with ticky-ticky drum box and even a prominent earth-hum buzzing in the background throughout. Nonetheless, it sparks away in its own exciting, cheapo way. Continue reading “Drinking Electricity ‘Shake Some Action’ UK 7″ single (Pop:Aural, POP 005, 1980)”

Kraftwerk – ‘Die Roboter’ MusikExpress magazine German 7″ single (Kling Klang/Parlophone, 2017)

What is it? A one-sided 7″ single with a 3 minute 33 seconds edit of the ‘3-D’ re-recording of ‘Die Roboter’ given away exclusively with the German magazine MusikExpress in its August 2017 issue. The flipside, rather than completely blank, still has a red label design with the pixelated band members logo and has an etched artwork design on the vinyl, with ‘KRAFTWERK’ (top) and ‘12345678’ (bottom) in the familiar pixelated font so beloved of many a Kraftwerk release from 1981 onwards.

Kraftwerk 'Die Roboter' MusikExpress magazine German 7
^ Kraftwerk ‘Die Roboter’ MusikExpress magazine German 7″ single front cover

This is the first of what now appears to be something of a biennial series of 7″ releases for Kraftwerk in MusikExpress magazine. It was followed in 2019 with a new edit of ‘Autobahn’ on blue vinyl 7″, which was featured in a previous post. Continue reading “Kraftwerk – ‘Die Roboter’ MusikExpress magazine German 7″ single (Kling Klang/Parlophone, 2017)”

The Human Condition – Live At The Collegiate Theatre 13 September 1981, UK cassette (The Human Condition, THC 1, 1981)

The Human Condition was a short-lived band featuring reunited PiL band-mates Jah Wobble on bass and Jim Walker on drums, the line-up rounded out with Animal (aka Dave Maltby) on guitar and also occasionally augmented by Annie Whitehead on saxophone. This ‘rush release’ is one of two live recordings released on limited run cassettes that were issued back in the day and document their fine instrumental workouts. The packaging was stripped down and minimal on both, having the air of bootleg issues, perhaps, despite being official output. As far as I am aware they have never been re-issued in any form. One of the tracks on here would appear in studio form on 1983’s ‘Snakecharmer’ release by Wobble, Czukay and The Edge. I’ve selected my favourite track from the cassette to sample via a YouTube upload, Neon – see what you reckon for yourself… if you like it, plenty more from the same account to check out.

The Human Condition - Live At The Collegiate Theatre 13 September 1981 UK cassette front cover
^ The Human Condition – Live At The Collegiate Theatre 13 September 1981 UK cassette front cover

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