A unique 4’08” edit of ‘Confusion’, released as a promo-only 7″ contemporary with the original release of the single, which commercially was only available on 12″, released August 1983. This 4’08” ‘re-structure’ is to be found on both sides of the single, same labels each flip too and it all comes housed in a black, round hole cut-out sleeve. Somewhat plain in comparison to the now somewhat iconic 12” sleeve design.
Continue reading “New Order – ‘Confusion’ UK Promo 7″ (Factory FAC93, 1983)”
This curious 7″ single hails from Brazil and the background to its release I presume to be its use in a television series from late 1981 into 1982, ‘Brilhante‘. What is of particular interest is that both sides feature unique edits of the track. When I say edits, I really mean they are faded out at specific points – in the case of the A side at the 2 minute 17 mark and in the case of the B side 4 minute 47 mark. The A side edit is abrupt, while the B side edit had a somewhat more generous use of the fader control. Not terribly exciting in comparison to some of the editing scissor work on single edits from around the world, such as ‘Autobahn’. Mind you, that was a case of whittling down 22 minutes down to a mere 3 to 4 minutes. Still, it is an interesting curio to have ‘Home Computer’ as a single on its own. The labels don’t mention it, but the the record pls at 33 1/3 RPM for some reason, rather than the more common 45 RPM.
Continue reading “Kraftwerk – ‘Home Computer’ Promo 7″ (EMI Odeon SDP-867, 1981)”
This unusual release gathered together New Musik’s six singles to date, all tracks being edited down to lengths unique to this release, playing at 33 1â„3. I am unsure of the date of release, but perhaps it either came around about the ‘Anywhere’ LP in early 1981 or the ‘Planet Doesn’t Mind’ single from late 1981. Although the label design is plain white, it seems to be before the period where GTO records were fully absorbed into the Epic roster, which their 1982 releases from ‘All You Need Is Love’ were the case.
The first four singles run, all from the ‘From A To B’ LP are pretty strong, catchy and gave the band their biggest successes. By the time of the two singles from ‘Anywhere’, the sound was polished to perfection but the music took longer to absorb and its sophistication proved to be a harder sell – neither ‘Luxury’ nor ‘While You Wait’ would repeat chart placings of the earlier singles. Continue reading “New Musik ‘Greatest Hits’ Promo 7″ EP (GTO, XP112, 1981)”
Burning Skies [12″ Version] (6’20”)
Burning Skies [7″ Edit] (4’13”)
Burning Skies [Gothic Rock compilation Edit] (5’15”)
Burning Skies [‘Something!’ promo CD ‘Single Edit’] (4’34”)
OK, This Is The Pops (7″ / 12″ version)
OK, This Is The Pops (fade-in start)
OK, This Is The Pops (‘phased’ version)
NB: All timings are approximate and intended as a guide for differentiation only
I never imagined there was going to be quite so much version craziness when I sat down to listen to these original vinyl releases and compare them against what has subsequently emerged across various compilation LPs and CDs. First off, it was a surprise to realise that the 7″ edit of ‘Burning Skies’ had never appeared on CD at any point – and in the end, no less than four different variants of ‘Burning Skies’ came to light when I dug the vinyl out for a spin. Similarly, ‘OK, This Is The Pops’ in the version as was released on vinyl back in 1983 (the versions on 7″ and 12″ are the same) hasn’t quite made it to CD unscathed either. I would love to know how these things come to be – can there be so many different tape boxes at Beggars Arkive that it is so easy to confuse? Or are these accidents that happen during remastering? Continue reading “Tones On Tail – Burning Skies/OK, This Is The Pops versions”
This curious little compilation (packaged in a slimline CD case rather then the bulkier standard size) was a compilation album of obscure and previously unreleased tracks/versions from acts released via the LTM label. It could be yours gratis if you bought three or more LTM products in one order. Aside from the beautiful packaging design, my main attraction to this compilation was the Durutti Column track, the version of which is exclusive to this compilation.
I was most familiar with ‘Homage to Martin? originally from the ‘Lips That Would Kiss’ compilation CD (FBN2CD) from 1991. The version to be found here is described thus on the packaging: ‘Recorded at Graveyard Studio in 1981 during sessions for the album L.C. The ‘flange’ version of this outtake appears on FBN 2 CD and FBN 10 CD but this slightly different mix is unavailable elsewhere.’ Interestingly, the credits on the FBN2CD describe the track as having been recorded at Little Big One, Brussels, 1982. The version itself is not radically different, sonically a few changes here and there. Continue reading “Various: Tobacco Perfecto (LTM LTMCD 2578 Promo CD, 2013)”
