The Strange Fruit label series of John Peel Sessions was a real godsend… so much good stuff made available from a fate of home recorded cassettes taped from (at best) occasionally hissy FM or dull and crackly medium wave radio broadcasts. This particular release of Xmal Deutschland and their spring 1985 John Peel session is an interesting one in a number of respects.
The first single to be lifted from PiL’s 1987 album, ‘Happy’, ‘Seattle’ was a a lively, punchy track that sadly failed to provide much of a hit to match the momentum that the previous year’s ‘Album’ and ‘Rise’ releases had. Bolstered with a resurgent John McGeogh on guitar, its a highly polished production, courtesy of Gary Langan, and his high-tech, meticulous touches are one thing, though how well it fitted with earlier PiL sounds is a point of debate.
Continue reading “Public Image Ltd. – ‘Seattle’ Japanese CD single (Columbia, 15CY-5013, 1987)”
From 1979, and an era where releases could be weird and wonderful depending on the region of the globe they hail from and how that region liked to do things, a unique picture sleeve four track 7” EP from Kraftwerk. This is the kind of release that, from roughly 1986 onwards, became something of a rare occasion for Kraftwerk, the more that they standardised releases across the world with the ‘Musique Non Stop’ single and ‘Electric Cafe’ album.
Continue reading “Kraftwerk – ‘The Robots’ Brazilian 7″ EP (Capitol Records, 31C 016 85870, 1979)”
Another post documenting one more of the ‘Pic Label’ series of Japanese 12” compilation mini-albums that were such a collector’s delight – so far we have covered The Flying Lizards, John Foxx, and Japan – this time around the release is less unique, as it is based on the existing ‘Holiday ‘80’ EP from 1980, though no less appealing.
Three albums in to Peter Murphy’s solo career, 1989’s ‘Deep’ brought the ex-Bauhaus frontman a high degree of well-earned success in the US, having put in the stateside touring miles the year before and with the new LP a strong piece of work. Success to such an extent that a series of single releases in addition to the pre-album single ‘Cuts You Up’ saw light of day in the US. These were of high appeal to a fan and collector such as I, on the other side of the Atlantic, where ‘Deep’ wouldn’t even receive a UK release until 1990, and would merit only the one accompanying single release, such were the disparity in fortunes for Murphy between homeland and the US.
