Wire – ‘Ahead’ UK 7″ and 12″ (Mute, 7 MUTE 57 / 12 MUTE 57, 1987)

Wire have proved to be a band who have come and gone from active duty many times over their nearing fifty year history. Often with several years of inactivity between each period, something seemingly compels the complex magnetism that exists between the band members, flipping poles to re-attract and re-form. The ‘Ahead’ single is from the period of Wire’s first reactivation (Wire (Mark 2) aka the ‘beat combo’ and partnership with Mute Records for their recordings) following their split in 1980 and their departure from existiing label, EMI/Harvest records.

Wire 'Ahead' UK 12" and 7" singles front cover designs
^ Wire ‘Ahead’ UK 12″ and 7″ singles front cover designs

It was quite the year, 1980, the short while it lasted for the band. They had a second attempt at recording their ‘Our Swimmer’ single (first recorded late 1979) with an aim to release it as the calling card for their post-EMI existence, including a possible release on Charisma Records – see Side by side: Wire – ‘Our Swimmer’ and ‘Second Length’ versions, for further details. More famously, February 1980 witnessed an  infamously self-immolating live appearance at the Electric Ballroom in London. By standard logic, a band that had freed itself from a label (and Wire were at pains to point out that they had walked away from EMI) might be more inclined to make use of such a gig as something of a commercial shopfront to woo a new a label. But no such intent from Wire. Its outright commercial suicide note of a performance put light to Wire (Mark 1) and torched it. But that gig is another story and will be documented before too long on VersionCrazy. Continue reading “Wire – ‘Ahead’ UK 7″ and 12″ (Mute, 7 MUTE 57 / 12 MUTE 57, 1987)”

Year by Year: Cocteau Twins – 1989/1990

1989 was the first year in the band’s history that would see no significant new releases from them, with various album CD re-presses seemingly the only new product to emerge. No live work either – in fact, there had been no live appearances during 1987 or 1988 either – a three year gap, that would not be broken until late 1990. But the band were far from idle during the year. 1989 saw the band acquire and fit out their September Sound studio [1], the former Eel Pie studios owned by Pete Townshend, where in time they would record at their leisure and what was to be the venue where all the band’s subsequent albums would be recorded. 1989 was a significant year on a personal level for the band members too, with the birth of Elizabeth Fraser and Robin Guthrie’s daughter, Lucy  Belle, in September 1989. The month was also significant for Simon Raymonde, though of a sadder nature with the passing of his father, Ivor Raymonde, as detailed in his excellent and moving autobiography published earlier this year, ‘In One Ear: Cocteau Twins, Ivor and Me’. [2]

Cocteau Twins - various 1990 releases
^ Cocteau Twins – various 1990 releases

1990 by contrast was an extremely significant year, with the eventual release of ‘Heaven Or Las Vegas’, which would prove to be the band’s final new album recorded and released for the 4AD label and the work that many fans consider to be their finest album – and, by the latter quarter of 1990, a return to live touring once more, though with a significantly different band line up.


Continue reading “Year by Year: Cocteau Twins – 1989/1990”

Side by side: New Order: (The Best Of) New Order 1994 EU and 1995 US CDs

It’s all about the versions on VersionCrazy and sometimes you come across releases that you make an assumption on, that they will be pretty much standard fare but – somehow, it turns out that they manage to throw up some weird and wonderful regional variations of interest. One such example is this ‘(The Best Of) New Order’ compilation CD from the band, the first fruits for London Records of their deal to acquire the band after the sad demise of the original Factory Records. I guess it was to be expected that after the band was scooped up by a major label (well, in some territories, since they were already on Qwest/Warner Bros. in the US) they would work that back catalogue hard. ‘(The Best Of) New Order’ was the first such example from this deal with London Records, a compilation first released in November 1994 on CD, cassette, LP and video cassette even. But of interest to this article are the differences between that 1994 edition and the American release that followed in 1995.

Side by side: New Order - (The Best Of) New Order EU and US compilation CD front insert designs
^ Side by side: New Order – (The Best Of) New Order EU and US compilation CD front insert designs

The November 1994 edition tracklist on CD goes like this and is notable for including a number of new ’94’ remixes of some of the tracks; (which I have highlighted in bold text) Continue reading “Side by side: New Order: (The Best Of) New Order 1994 EU and 1995 US CDs”

Side by side: Tones On Tail – ‘Tones On Tail’ US compilation CD and cassette (Beggars Banquet/RCA, 2410-2-H / 2410-4-H, 1990)

Another compilation that sifts through the Tones On Tail back catalogue panning for gold… this time out it was on CD and cassette formats only – and the cassette version included three extra tracks. This was issued in 1990 in the United States – and was the third compilation released in the US by this point (preceded by ‘The Album Pop’ in 1984 and ‘Night Music’ in 1987).

Tones On Tail - 'Tones On Tail' US compilation cassette and CD front cover designs side by side

    ^ Tones On Tail – ‘Tones On Tail’ US compilation cassette and CD front cover designs side by side

Continue reading “Side by side: Tones On Tail – ‘Tones On Tail’ US compilation CD and cassette (Beggars Banquet/RCA, 2410-2-H / 2410-4-H, 1990)”

Side by side: Hard Corps – Je Suis Passée versions

Returning once more to an old favourite featured many times before, Hard Corps, and their wonderful single that should have been a hit, ‘Je Suis Passée’ and all its many versions. It has been a long while in the offing, this post, what prompted me to post it now is the newly released compilation CD celebrating the work of producer Martin Rushent, ‘Autonomy – The Productions Of Martin Rushent’, available from Ace Records, as this includes the 7″ single mix of ‘Je Suis Passée’, its first release on CD format.

Hard Corps 'Je Suis Passée' multiple versions sleeve assemblage
^ Hard Corps ‘Je Suis Passée’ multiple versions sleeve assemblage

From the moment I heard Hard Corps I was hooked – that was in the summer of 1984 with the release of the ‘Dirty’/Respirer’ double A side 12″ (and later 7″) single. That love for the band became even greater with ‘Je Suis Passée’. Continue reading “Side by side: Hard Corps – Je Suis Passée versions”