Dome ‘Dome’ and ‘Dome 2’ UK LPs

It would be the late summer of 1981 before my curiosity got the better of me and I bought my first record by Wire. It was an educated guess – I’d heard nothing by them (not even on the John Peel show, which I had begun to tune into fairly frequently from 1980 onwards), but every time I read about them (and related solo releases) in the music press it seemed to make sense that I would like them. The first releases I would get hold of were the ‘Our Swimmer’ single (which has been covered in a previous post) and the ‘Ends With The Sea’ 7″ single by BC Gilbert and G Lewis – names I was already well familiar with by the more intriguing moniker of DOME. Smash Hits reviews had enthused about the first two albums released by Dome – particularly ‘Rolling Upon My Day’ from the first album. Photos of the duo pictured a serious and no nonsense duo, the record sleeves equally arty and intriguing. The calling card of that first single purchase convinced me enough that when readies allowed, I would definitely investigate further.

^ Dome 'Dome 1' 1980 UK LP front cover
^ Dome ‘Dome 1’ 1980 UK LP front cover
Dome 'Dome 2' 1980 UK LP front cover
^ Dome ‘Dome 2’ 1980 UK LP front cover

The first of those two Dome LPs I would come across was actually ‘Dome 2’, a second-hand copy, in December 1981. I bought it along with Joy Division’s ‘Still’, New Order’s ‘Movement’ (both of which quite recent releases) and ‘154’ by Wire (complete with its free 7″ EP). A mammoth listening session awaited that Saturday afternoon. Continue reading “Dome ‘Dome’ and ‘Dome 2’ UK LPs”

Side by side: Orchestral Manoeuvres in the Dark: Electricity (FAC 6)

The impossibly stylish sleeve design to the debut single by Orchestral Manoeuvres in the Dark, ‘Electricity’, was an opening statement of intent by Factory Records, one so unusual to produce that it set the production presses on fire, with the result that the intended press run was left incomplete, apparently. It’s thermographed print was at one time de rigueur for stylish business cards – though black-on-black print as found here was perhaps a little more unusual. Whatever, this release in its original form has been a much sought after item and one you wouldn’t have imagined seeing again in its original form. However, 2019 saw the release of a boxed set of facsimile recreations of the first ten Factory Records artefacts to commemorate 40 years of the label, ‘Use Hearing Protection – Factory Records 1978-1979’ by Rhino Records. Let’s look at the original and recreation side by side…


The 1979 original

The beautifully minimal original cover – it has survived 42 years in good shape now. My copy of the vinyl is OK, hardly blemish free – also, it is a mis-press as it has the side A label on the B side too. Ooops! As for the music… famously, despite having re-recorded both songs at Cargo Studios with Martin ‘Zero’ Hannett as producer, the band insisted that their original somewhat low-fi and wonky version (recorded on the Winston 4-track recorder and produced by the band and then manager Paul Collister (aka Chester Valentino) in the latter’s garage, christened ‘Henry’s’), was used for the A side. But Tony Wilson insisted that the lush re-recording of ‘Almost’ was used on the B side.

This original ‘Electricity’ as released on Factory FAC 6 can be found on CD in the unlikely source of the ‘Peel Sessions 1979-1983’ CD released back in 2000. Meanwhile, ‘Almost (Hannett/Cargo Studios Version)’ can be found on the 2003 CD re-issue of the band’s debut album.

Orchestral Manoeuvres in the Dark: Electricity (FAC 6) 1979 original - front cover
^ Orchestral Manoeuvres in the Dark: Electricity (FAC 6) 1979 original – front cover

Continue reading “Side by side: Orchestral Manoeuvres in the Dark: Electricity (FAC 6)”

Side by side: Brian Eno – Music for Films Volume 2 (1983) and More Music For Films (2005)

Having already taken a deep dive into the complexities and version craziness of Brian Eno’s ‘Music For Films’, we are by no means done here. There is plenty left in the tank with the variations of the belated follow-up volume – with a particular focus on how you might piece together a digital version. (The answer is, not completely…)

Brian Eno - 'Music For Films Volume 2' 1983 front cover
^ Brian Eno – ‘Music For Films Volume 2’ 1983 front cover

Continue reading “Side by side: Brian Eno – Music for Films Volume 2 (1983) and More Music For Films (2005)”

Side by side: René Halkett and David Jay – ‘Nothing’ / ‘Armour’ 7″ (1981) and 20th Anniversary re-issue CD (2001)

1982 into 1983 was when I first really got the Bauhaus bug. Summer of 1983 into Autumn of that year in particular it reached fever-pitch, with having been able to see Bauhaus live and with the release of the band’s final album and various solo project releases from Tones On Tail and David J. This would continue for some time as I delved back into the band’s previous releases and other solo project releases.

Amongst them was the release in focus here. It sounded intriguing, from what little I knew about it. René Halkett, original member of The Bauhaus (or Staatliches Bauhaus Weimar’ to be more formal) makes contact with bass player of Bauhaus and a friendship emerges that leads to a collaborative single. Bauhaus were regular pilloried in the music press for their assumed pretentiousness and… oh my… this surely came with a capital P in their eyes!

Rene Halkett and David Jay - 'Nothing' / 'Armour' 7" front cover
^ René Halkett and David Jay – ‘Nothing’ / ‘Armour’ 7″ front cover

Continue reading “Side by side: René Halkett and David Jay – ‘Nothing’ / ‘Armour’ 7″ (1981) and 20th Anniversary re-issue CD (2001)”

Side by side: Wire – ‘Our Swimmer’ and ‘Second Length’ versions, versions

 


Our Swimmer

‘Our Swimmer’ dates from a late 1979 recording session* at Magritte Studios which also witnessed the recording of ‘Go Ahead’ (which would be released on the B side of the ‘Map Ref. 41N 93W’ 7″ single) and ‘Midnight Bahnhoff Cafe’ (which would be released on the B side of the ‘Our Swimmer’ 7″ single). It was after the recording sessions that produced the ‘154’ album and the first time without the involvement of long-term producer, Mike Thorne – self-produced by the band. It was proposed as a single release while the band were still signed to EMI records, but rejected by the company.

* The 2014 re-issue of ‘Document and Eyewitness’ states ‘recorded at Magritte Studio, Harmondsworth Dec 1979’ – but I question that date if indeed it was the same session that also produced ‘Go Ahead’, since it was already released long before December. The ‘Nine Sevens’ singles box set also gets it wrong by stating 1980 as the recording year.

Wire - 'Our Swimmer' and 'Second Length' singles
^ Wire – ‘Our Swimmer’ and ‘Second Length’ singles

Continue reading “Side by side: Wire – ‘Our Swimmer’ and ‘Second Length’ versions, versions”