The first single to be lifted from PiL’s 1987 album, ‘Happy’, ‘Seattle’ was a a lively, punchy track that sadly failed to provide much of a hit to match the momentum that the previous year’s ‘Album’ and ‘Rise’ releases had. Bolstered with a resurgent John McGeogh on guitar, its a highly polished production, courtesy of Gary Langan, and his high-tech, meticulous touches are one thing, though how well it fitted with earlier PiL sounds is a point of debate.
Much like 1985 had been, 1986 was another productive yet non-standard year, with the band shying well away from the traditional album and accompanying singles music business way of doing things. This year saw a stripped-down duo version of the band release a unique, subsequently well-loved minimal sounding album, one full-band, full-blooded EP and a collaborative album that didn’t even mention the band by name… plus a few more compilation releases yielding different versions or exclusive tracks once more…
1986 got off to a start with the first ever CD release by 4AD (apparently), in the form of the compilation album ‘The Pink Opaque’ – this CD version was issued in the UK with a release date of 17th January 1986 and I’m unsure of the US release date – the significance being that this was a joint pressing between 4AD in the UK and Relativity in the US. The CD has an identical track listing to the vinyl/cassette release of this compilation from the previous year. So, it is primarily of interest as far as versions go of containing the remixed/re-recorded ‘Wax and Wane’ and the non-album previously cassette-only ‘Millimillenary’. It’s worth noting too that the version of ‘Pearly-Dewdrops’ Drops’ is the 7″ version. Continue reading “Year by Year: Cocteau Twins – 1986”
From 1979, and an era where releases could be weird and wonderful depending on the region of the globe they hail from and how that region liked to do things, a unique picture sleeve four track 7” EP from Kraftwerk. This is the kind of release that, from roughly 1986 onwards, became something of a rare occasion for Kraftwerk, the more that they standardised releases across the world with the ‘Musique Non Stop’ single and ‘Electric Cafe’ album.
Another post documenting one more of the ‘Pic Label’ series of Japanese 12” compilation mini-albums that were such a collector’s delight – so far we have covered The Flying Lizards, John Foxx, and Japan – this time around the release is less unique, as it is based on the existing ‘Holiday ‘80’ EP from 1980, though no less appealing.
After I had finally taken to the charms of the silver CD disc as a format, there was no stopping me, and that included re-issues of all kinds – even these rather generic, budget-price compilation series – not least because on occasions they were useful for tracking down hard to find versions (or even hitherto unreleased versions, in the case of another Japan CD-only compilation, ‘Souvenir From Japan’ and its exclusive mix of Life In Tokyo’ – another story…