Colin Newman ‘We Means We Starts’ UK 7 inch single (4AD, AD209, 1982)

A stray single that put a full stop on the initial period of Colin Newman’s solo releases, ‘We Means We Starts’ followed shortly after his third album, ‘Not To’ in early 1982, but was not included on the album. Though sonically it shared a lot of the same DNA as the long player, it seems to have been put together by a different grouping. ‘Not To’ had included a good number of songs that Wire had first performed live but never recorded or released, so it inevitably had a great deal of comparisons to Wire from the off. In particular, the more overtly ‘pop’ side was always bandied about as if this were the sole preserve of Colin Newman – despite his previous solo album, ‘Provisionally Entitled The Singing Fish’ straying into the kind of outer fringes sonic areas that erstwhile colleagues Gilbert and Lewis had been mapping as their own. Having said that, there’s no doubt that this ‘poppier’ side was in the sights with this album’s sound.

Colin Newman 'We Means We Starts' UK 7 inch single front cover Continue reading “Colin Newman ‘We Means We Starts’ UK 7 inch single (4AD, AD209, 1982)”

Danielle Dax ‘Jesus Egg That Wept’ UK Mini-Album (Awesome AOR1, 1984)

Regular visitors will most likely know already my fondness for that ’80s staple, the mini-album and in ‘Jesus Egg That Wept’ we have a prime example. Six new tracks (plus the addition of a track from the previous ‘Pop Eyes’ LP, for some reason) was a good introduction for me to the wonderfully unique oddities of Danielle Dax. Sleeved in an eye-catchingly odd cover, this mini-album was at a good time all round for Danielle Dax, with 1984 also seeing her brief but significant role in the film, ‘The Company of Wolves’ as well as an appearance on the primetime ‘The Tube’ TV show (performing ‘Hammerheads’).

Danielle Dax 'Jesus Egg That Wept' UK Mini-Album front cover design
^ Danielle Dax, ‘Jesus Egg That Wept’ UK Mini-Album front cover design

Continue reading “Danielle Dax ‘Jesus Egg That Wept’ UK Mini-Album (Awesome AOR1, 1984)”

Siouxsie and the Banshees ‘The Peel Sessions 1977-1978’ 7″ coloured vinyl EP (Strange Fruit, 677002, 1991)

An odd little curio, two tracks apiece from the bands first two Peel sessions jumbled up on this 7″ EP that sells itself on the packaging to the max, with a mish-mash of Banshees eras; early, pre-Polydor recordings with a Kaleidoscope/JuJu era? Siouxsie pic and typeface logo from the ‘Kiss In The Dreamhouse’ era – topped off with light blue marbled vinyl for the disc itself. Both sessions from which the tracks were culled had already been out before on 12″, cassette and CD some years earlier, with the plainer, more interchangeable, generic style sleeve designs and subsequently various outings for Banshees BBC material. A rougher and rawer Banshees sound before Steve Lillywhite’s production touch and ‘space’…

Siouxsie and the Banshees - The Peel Sessions 1977-78 7 inch EP front cover
^ Siouxsie and the Banshees – The Peel Sessions 1977-78 7 inch EP front cover

Continue reading “Siouxsie and the Banshees ‘The Peel Sessions 1977-1978’ 7″ coloured vinyl EP (Strange Fruit, 677002, 1991)”

Elektric Music ‘TV’ German MiniDisc (SPV 076-92678, 1993)

An odd little item this, from Elektric Music – Karl Bartos’ initial post-Kraftwerk creative outlet, along with former Rheingold member, Lothar Manteuffel. 1993 saw the release of their debut album; ‘Esperanto’ and ‘TV’ was a highy catchy single released prior the album. In their native Germany, it came on 12″, 12″ picture disc, very limited promo-only 10″, CD single and this mini-disc edition. The mini-disc being somewhat desirable because in addition to the standard ‘TV’ track it also contained the longer re-take that is ‘TV 2’ in digital format – all other formats for ‘TV 2’ were vinyl – for whatever reason, it never appeared on the CD single variants – they instead had another take on the track, ‘Television’. As well as these two versions of ‘TV’, the mini-disc also contained two tracks from Elektric Music’s first single, ‘Crosstalk’, released in Germany at the tail end of the previous year. (‘Intercomix’ being a variant of ‘Crosstalk’ itself.)

Elektric Music 'TV' minidisc - front case design
^ Elektric Music ‘TV’ minidisc – front case design

Continue reading “Elektric Music ‘TV’ German MiniDisc (SPV 076-92678, 1993)”

Brian Eno – David Byrne, ‘My Life In The Bush of Ghosts’ UK LP (EG Records, EGLP48, 1981)

There’s nothing new I can bring to the subject of this album, such is the level to which it has been, depending on your point of view, celebrated, name-checked, referenced, over-hyped, over-analysed and generally been given more than its fair share of attention since release. Whether you think it is some seminal piece of work that more or less single-handedly ushered in the era of sampling or is some over-trumpeted slice of faux-ethnic cultural imperialism, it is what it is and if you’ve not already heard it I urge you to approach with fresh ears and give it a spin.

What I can add though is some version craziness. Well, perhaps not craziness. But enough to pen something on. I’m not going to touch upon the pre-history of the album and the bootleg version – much, but not all, of that surfaced officially with the 2006 re-release of the album in the shape of bonus tracks. What didn’t appear though was one of the tracks that was part of the original album release, ‘Qu’Ran’. Another thing that has gone AWOL over the years is the good taste of the original Peter Saville sleeve design, which I attempt to capture in some small part in the accompanying photos here.

Brian Eno - David Byrne, 'My Life In The Bush of Ghosts' UK LP front cover design
^ Brian Eno – David Byrne, ‘My Life In The Bush of Ghosts’ UK LP front cover design

Continue reading “Brian Eno – David Byrne, ‘My Life In The Bush of Ghosts’ UK LP (EG Records, EGLP48, 1981)”