‘The “Sweetest Girl”’ never provided Scritti Politti with the full-on pop chart hit that might have ambitiously been hoped for, but the impact it made with its sea-change in style ensured its high profile all the same. What I had not quite appreciated until more recent years was just how many versions of the song there are and it’s curiously stop/start release history.
Continue reading “Scritti Politti – ‘The “Sweetest Girl”’ version craziness”
New Musik will always be a favourite of mine and there has been no shortage of previous VersionCrazy coverage, what with ‘The Planet Doesn’t Mind’ version craziness, ‘Greatest Hits’ Promo 7″ EP (GTO, XP112, 1981) and New Musik ‘Anywhere’ UK cassette (GTO, GTMC044, 1981) posts. They have also been relatively fortunate in that their back catalogue has been re-issued fairly regularly since the 1990s onwards, so they have never been left behind and forgotten about. My slightly sanguine ‘relatively fortunate’ is because over the years the re-issues have had a tendency to play a little fast and loose when compiling extra tracks as bonuses to the standard album track lists.
Another post of mine that holds a torch for Xmal Deutschland, who I was seriously into in the 1980s and was fortunate to see play live a few times. This time around, the final single release by the five-piece version of the band, ‘Sickle Moon’, the second single from the ‘Viva’ album of 1987.
Released in 7″ and 12″ formats in the UK, it managed to contain two versions of the A side, ‘Sickle’ Moon’, and two versions of the shared B-side, ‘Illusion’, as well as 12″-only track, ‘In Onyx’. Continue reading “Side by side: Xmal Deutschland ‘Sickle Moon’ UK singles (Xile/Phonogram XMAL2 / XMAL212, 1987)”
The sleekly re-engineered and re-envisioned ‘Radioactivity’ was a particular standout track from Kraftwerk’s 1991 album ‘The Mix’ and so it was an obvious choice for a single release. In the band’s homeland of Germany and European territories 7”, 12” and CD single editions were issued with mixes by François Kevorkian on the A side and William Orbit on the reverse. (The UK and France also got cassette single formats too.) In both cases, 7” and longer 12” remixes were produced. In the case of the 7” mixes, German language and English language mixes were issued. The 12” mixes were only in English language variations however.
There was one more mix that managed to see light of day though and that is the ‘William Orbit Hardcore’ Mix’ that was only ever issued at the time on this US 12” single, making it an attractive item to track down on import on my side of the ocean.
Continue reading “Kraftwerk ‘Radioactivity’ US 12″ single (Elektra, 0-66486, 1991)”
The fourth, and to date last, of the main David Sylvian related compilations featured in this series – two versions, side-by-side, of the ‘Sleepwalkers’ CD, which compiles collaborations with other artists from the early 2000s onwards.
First released in 2010, there was a re-mastered version in 2022 and on this occasion a micro-site to promote the 2022 release (an updated variant of the page for the original September 2010 release) presents some very useful detail spanning both versions. The notes from the site nicely encapsulates the spirit behind the compilation with the following summary;
in the 00s, DAVID SYLVIAN produced two of his strongest and most solitary statements, BLEMISH and MANAFON. but those records don’t tell the whole story. during that the same period, SYLVIAN created an alternate body of work: a series of collaborations and side projects with leading talents of pop and improv, electronic and contemporary classical music. the best of these recordings are gathered here on SLEEPWALKERS, meticulously sequenced and remixed: the fruits of one-off meetings and lifelong partnerships, they jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest pop.
The compilation isn’t a be all and end all – David Sylvian has collaborated on many other occasions not compiled here and in some cases the tracks selected provides a taster of further work that can be sought out (e.g. the Nine Horses and Tweaker works).
Nevertheless, let’s take a look at the compilation to hand and the variants between the two editions. Continue reading “David Sylvian compilations across the years – Part 3”
